I was just wondering what bootlegs have soundboard quality, I am quite aware of the obvious ones but are their any others like Seattle '77 ?.
Please dont bother listing any of the following :-
Golders Green '73.
Rainbow '74.
Hammersmith '75.
Hyde Park '76.
Earls Court '77.
Buenos Aires '81.
Sao Paulo '81.
Cracas '81.
Montreal '81.
Tokyo '85.
Manheim '86.
Thanks.
NTL wrote: I was just wondering what bootlegs have soundboard quality, I am quite aware of the obvious ones but are their any others like Seattle '77 ?.
Please dont bother listing any of the following :-
Golders Green '73.
Rainbow '74.
Hammersmith '75.
Hyde Park '76.
Earls Court '77.
Buenos Aires '81.
Sao Paulo '81.
Cracas '81.
Montreal '81.
Tokyo '85.
Manheim '86.
Thanks.
Rock in Rio '85
Tokyo '82
Hammersmith '79
Budapest '86
There must be some more...
[Edit]
Of course Milton Keynes '82
Chicago 78 is a very good audience recording, not a soundboard recording. Also I doubt that Seattle 77 is a sbd recording.
Houston 77 is missing in the list.
Veinna 82 and 86 (both shows from each year) are not soundboard but practically sound better then soundboards recordings.
Chicago 78 is not soundboard, just a very good recording, same with chicago 82, just must have had a person who was great at making bootlegs at those shows.
Queenconcerts.com indicated that Chicago 1978 is a soundboard recording. If that is true or not matters very little to me, as it is one of the best sounding Queen bootlegs out there.
if you listen very carefully(headphones) to the space between the songs in chicago 78 ,you can hear people talking next to the mic.this shows that it is definitely an audience recording.
has anyone got the full seattle 77 ?or just from vinyl-source?
Those are the best audience recordings I've ever heard. If there's a way to get in touch with their original sound tech Trip Khalef we'd get a definite answer. I know he still works with Clair Brothers in some capacity.