e-man 27.11.2019 17:28 |
been listening to the box set lately, and it has made me appreciate his output more than before. None of the albums are way up there, but there are great moments on each of them. A shame his BEST collection was a lazy tracklisting, could and should have been so much more diverse... a question to those in the know The 1994 live footage - was there a release planned at the time? Why didn't it happen? ( also, I love listening to Unblinking Eye now in the midst of all this brexit hysteria :) are we in europe, half in europe, not in europe? :) ) |
stevelondon20 27.11.2019 17:37 |
Electric Fire is an amazing album. Unblinking Eye is typical Roger. Fantastic song! |
people on streets 27.11.2019 18:46 |
I've always liked Electric Fire as well. -Blue Rock and Happiness are nice too I think. |
BGennard 27.11.2019 21:04 |
To be fair I love a lot of Rogers non Queen out put, albums like Strange Frontier and Fun In Space have some great moments. Mad Bad and Dangerous To Know and Blue Rock are great diverse albums, Happiness and Electric Fire are great too. I really loved Fun On Earth and some of the rarer cuts like the original full length Unblinking Eye and Dear Mr Murdock (naked mix) |
Makka 28.11.2019 06:19 |
Roger's solo work is intriguing to me. I do like it, especially his early albums but I wouldn't call his song writing mind blowing (some of his lyrics are quite cringe worthy). Fun In Space & Strange Frontier were some of my most played LP's back in the 80's. But in saying that it's a great collection and awesome that he released 'everything' like this. |
Vali 28.11.2019 11:14 |
The Lot was a good boxset, despite all the errors found in initial prints (I have 2 boxsets now, btw, the first one and the replacement). Things I really missed and never understood why weren't included: - a DVD/BR with the complete Cyberbarn show, which became available in the official YT channel shortly after - the promos/TV appearances for I Wanna Testify and Future Management. Really??? Roger Taylor couldn't afford paying whatever was the amount to include them in the box?? I see many other boxsets from minor artists/bands being released these days that include TOTP / TV shows appearances, etc etc, so I can't understand it. That said, I really like all of Roger's solo efforts. Shove It from The Cross is the lowest point to me, but even that album has songs I really like (Cowboys & Indians, Contact and Love Lies Bleeding). Funny I decided to listen to Fun On Earth the other day after a long time. Nice songs in there too, I like the album but, in my opinion Say It's Not True live with Jeff Beck & The Unblinking Eye abridged (awful edit compared to the original which I love) shouldn't have been included. Dear Mr Murdock (nude mix) and Whole House Rocking as extra tracks in the album boxset version are "meh", and I would definitely have included "The Shores Of Formentera" as a hidden track at the end |
Negative Creep 28.11.2019 17:51 |
Doesn't the booklet make reference to a couple of unreleased songs that were set to appear on the box set, but Roger then culled seemingly at the last minute? And is it Strange Frontier or Fun In Space where the new digital transfer is fucked up? |
NastyQueenie74 28.11.2019 19:12 |
For me, Happiness is his best solo album with Strange Frontier coming in second. Regarding The Cross, I'd consider Blue Rock to be their best work. Meanwhile, I think Shove It is one of those albums that excelled in the live environment. Some good examples are Contact, Stand Up For Love, and the title track with the latter reaching its peak on the 1990 tour |
brENsKi 28.11.2019 19:24 |
NastyQueenie74 wrote: For me, Happiness is his best solo album with Strange Frontier coming in second. Regarding The Cross, I'd consider Blue Rock to be their best work. Meanwhile, I think Shove It is one of those albums that excelled in the live environment. Some good examples are Contact, Stand Up For Love, and the title track with the latter reaching its peak on the 1990 touragreed. I love Strange Frontier. Roger's first two albums contained some very grown up themes and were (lyrically) very good. As for the Cross - I tend to go for the stuff that doesn't seem that obvious: Cowboys & Indians, Liar, Manipulator, Old Men (lay down), New Dark Ages, Ain't Putting Nothing Down again, I'd say that Roger's 80s solo/cross output was part of the whole "Harrison Factor". 8 years of one or two songs per album, the embryos have to be "born" at some point. |
miraclesteinway 28.11.2019 19:33 |
What surprises me about Roger Taylor's solo output is how unlike Queen it sounds. Of course it doesn't have Brian's guitar orchestra on it, but actually a few Queen songs don't have that either. I'm talking more about the actual songs. There are songs here which just wouldn't fit in the Queen canon. Man on Fire of course sounds like a Queen song, and of all the albums it seems that Happiness is the one that could most be accused of being watered down Queen (if that's an accusation or even a bad thing), but there's a level of originality with Roger that shows he had ideas that were better outside of Queen. Brian's solo albums sound very Queen-like, and of course when listening to Freddie's solo output it's very hard to disconnect him from Queen since he was the voice of the band. I'm waffling but hopefully you know what I'm getting at. |
Holly2003 28.11.2019 19:54 |
Man on Fire sounds like a Springsteen song. Aside from that, I agree with you. |
The Real Wizard 28.11.2019 20:23 |
brENsKi wrote: again, I'd say that Roger's 80s solo/cross output was part of the whole "Harrison Factor". 8 years of one or two songs per album, the embryos have to be "born" at some point.Considering it was the late 80s and early 90s when rock was more or less dead and then experiencing a renaissance in the form of grunge, I can't help but just see the majority of the output of The Cross as derivative. I've found there to be 3 or 4 decent songs on three albums combined - a much lower ratio than the rest of Roger's solo output. |
brENsKi 28.11.2019 23:21 |
The Real Wizard wrote:well - i named six Cross tracks, so we weren't miles apart on that.brENsKi wrote: again, I'd say that Roger's 80s solo/cross output was part of the whole "Harrison Factor". 8 years of one or two songs per album, the embryos have to be "born" at some point.Considering it was the late 80s and early 90s when rock was more or less dead and then experiencing a renaissance in the form of grunge, I can't help but just see the majority of the output of The Cross as derivative. I've found there to be 3 or 4 decent songs on three albums combined - a much lower ratio than the rest of Roger's solo output. his first two solo LPs worked better. there's a handful here that would've made good Queen album tracks: Good Times Are Now My Country Strange Frontier Beautiful Dreams Man on Fire |
The Real Wizard 29.11.2019 03:12 |
brENsKi wrote: well - i named six Cross tracks, so we weren't miles apart on that. his first two solo LPs worked better. there's a handful here that would've made good Queen album tracks: Good Times Are Now My Country Strange Frontier Beautiful Dreams Man on FireAh yeah, great stuff. I actually enjoy his 90s albums even more. Electric Fire is pretty solid. |
Agr123456 29.11.2019 08:54 |
I prefer Blue Rock or Mad Bad albums than other so-called good Queen albums... (Sheer Heart Attack, Jazz, Hot Space-of course- or A Kind Of Magic) Bad Attitude, Top Of The World Ma, Ain't Put Nothing Down, Penetration Guru, The Also Rans, Power To Love, Life Changes, Sister Blue...Great great songs. |
Plengel 29.11.2019 18:47 |
It's all a matter of taste, of course. Personally, I think 'Fun in Space' and 'Strange Frontier' are 'hors category' compared to the rest of Roger's solo output. 'Happiness' and 'Electric Fire' had some good moments, but to me 'Fun on Earth' is quite a mediocre piece of work. From the Cross, I tend to like 'Blue Rock' the best. Funny, I think it's the album with the least influenced by Roger. To come back on topic, I think 'The Lot' was a very nice boxset. An almost complete, career spanning overview of Roger's work outside of Queen. I think it was also very reasonably priced compared to Queen standards. I also liked that it was released as a complete surprise. At the time of its release nobody was discussing about a whole new album by Roger, let alone a complete boxset! |
Rick 30.11.2019 13:49 |
If Power of Love was a Queen song, it could have been massive, IMHO. Great track and some great vocals, too. |
brians wig 01.12.2019 18:50 |
Vali wrote: Things I really missed and never understood why weren't included: - a DVD/BR with the complete Cyberbarn show, which became available in the official YT channel shortly afterA 14 disc set was originally presented to Universal which included Cyberbarn and, I'm told, a Cross gig on DVD. Universal decided that was too many discs and wanted it reduced to 12, so the concert DVDs had to go. This is why Cyberbarn was made available on Youtube. I'll give them a "plus" for that, even if the quality is crap compared to how it would have been on DVD. It's bad enough the DVD that remained was so badly authored that half the videos have the field order the wrong way round - that's clearly what happens when you employ professionals these days! Quite frankly it's a disgrace and there's SO much unheard material that could and should have been added to the set. There's at least 30 minutes of free space on each of the album discs that could have contained demos and unheard tracks. |
Negative Creep 02.12.2019 15:16 |
brians wig wrote: . This is why Cyberbarn was made available on Youtube. I'll give them a "plus" for that, even if the quality is crap compared to how it would have been on DVD.I'm not sure the resolution on the DVD would have been any improved over the YouTube version except for a possible lossless soundtrack. If Roger or his team were arsed about getting anything out physically, it would be easy for them. I'd imagine Universal are open to more releases (they regularly release archive stuff that must barely shit any units), or they could license the material to themselves or another label that were interested. With the popularity of the Queenonline shop, he'd be able to sell out a small run of anything quickly just via mailorder. |
e-man 06.12.2019 17:56 |
brians wig wrote:interesting...do you happen to know which Cross gig?Vali wrote: Things I really missed and never understood why weren't included: - a DVD/BR with the complete Cyberbarn show, which became available in the official YT channel shortly afterA 14 disc set was originally presented to Universal which included Cyberbarn and, I'm told, a Cross gig on DVD. Universal decided that was too many discs and wanted it reduced to 12, so the concert DVDs had to go. This is why Cyberbarn was made available on Youtube. I'll give them a "plus" for that, even if the quality is crap compared to how it would have been on DVD. It's bad enough the DVD that remained was so badly authored that half the videos have the field order the wrong way round - that's clearly what happens when you employ professionals these days! Quite frankly it's a disgrace and there's SO much unheard material that could and should have been added to the set. There's at least 30 minutes of free space on each of the album discs that could have contained demos and unheard tracks. Geneva 1990? |
runner_70 06.12.2019 21:31 |
The Real Wizard wrote:Rock was dead in the late 80's??? What planet are you living on???? Rock was all over MTV ad the Hairmetal wave was swept away by Grunge thats right but thats also rock. Unlinke now where you only have faceless generic pop crap in the chartsbrENsKi wrote: again, I'd say that Roger's 80s solo/cross output was part of the whole "Harrison Factor". 8 years of one or two songs per album, the embryos have to be "born" at some point.Considering it was the late 80s and early 90s when rock was more or less dead and then experiencing a renaissance in the form of grunge, I can't help but just see the majority of the output of The Cross as derivative. I've found there to be 3 or 4 decent songs on three albums combined - a much lower ratio than the rest of Roger's solo output. |
The Real Wizard 09.12.2019 05:36 |
runner_70 wrote:Hair metal was not rock. It was west coast conveyor belt music product. You're dreaming if you think it's any closer to the spirit of 70s rock than today's "generic pop crap" you hate so much. Wearing a guitar and lipstick doesn't make it rock.The Real Wizard wrote:Rock was dead in the late 80's??? What planet are you living on???? Rock was all over MTV ad the Hairmetal wave was swept away by Grunge thats right but thats also rock. Unlinke now where you only have faceless generic pop crap in the chartsbrENsKi wrote: again, I'd say that Roger's 80s solo/cross output was part of the whole "Harrison Factor". 8 years of one or two songs per album, the embryos have to be "born" at some point.Considering it was the late 80s and early 90s when rock was more or less dead and then experiencing a renaissance in the form of grunge, I can't help but just see the majority of the output of The Cross as derivative. I've found there to be 3 or 4 decent songs on three albums combined - a much lower ratio than the rest of Roger's solo output. Rock died when John Bonham died. Led Zeppelin created 70s rock, and it died with their breakup. Rock music still existed (Back In Black kept it on life support for another year), but with the exception of grunge, it has not been the most dominant genre of music since Thriller. |
brENsKi 09.12.2019 10:18 |
The Real Wizard wrote:exactly my point here: linkrunner_70 wrote:Hair metal was not rock. It was west coast conveyor belt music product. You're dreaming if you think it's any closer to the spirit of 70s rock than today's "generic pop crap" you hate so much. Wearing a guitar and lipstick doesn't make it rock. Rock died when John Bonham died. Led Zeppelin created 70s rock, and it died with their breakup. Rock music still existed (Back In Black kept it on life support for another year), but with the exception of grunge, it has not been the most dominant genre of music since Thriller.The Real Wizard wrote:Rock was dead in the late 80's??? What planet are you living on???? Rock was all over MTV ad the Hairmetal wave was swept away by Grunge thats right but thats also rock. Unlinke now where you only have faceless generic pop crap in the chartsbrENsKi wrote:again, I'd say that Roger's 80s solo/cross output was part of the whole "Harrison Factor". 8 years of one or two songs per album, the embryos have to be "born" at some point.Considering it was the late 80s and early 90s when rock was more or less dead and then experiencing a renaissance in the form of grunge, I can't help but just see the majority of the output of The Cross as derivative. I've found there to be 3 or 4 decent songs on three albums combined - a much lower ratio than the rest of Roger's solo output. brENsKi wrote:Not all music, but most rock bands ended up sounding sanitised by their own earlier material. Just compare 80s output for Queen, Genesis, Yes, Who, ELO and Purple to their 70s LPs. no contest. My own opinion is that most of those 70s bands had lost the hunger that drove them to success. By the 80s they'd become lazy - living off the stored fat of their 70s work. As I said Roger and John did the heavy lifting - being responsible for the major slice of the hits from the 80s (until Freddie's death) - there's absolutely no way that Roger/John would've been writing so many hits if Freddie and Brian had been bothered. Roger became the George Harrison of Queen. The sheer volume of his Cross/solo stuff during this time, mirrors Harrison's early post-Beatles output. |
aristide1 09.12.2019 12:44 |
Random thoughts: - The death of John Bonham is not a landmark in rock history. - Deep Purple with Steve Morse produced some fabulous rock 15 years later. - Purpendicular (1996) and Abandon (1998) are the last true rock albums. - The Cross was generic but honest, while Queen+ is self repetitive and pathetic. - I still listen to Blue Rock occasionally. - Quoting yourself is lame. |
brENsKi 09.12.2019 15:49 |
aristide1 wrote:Random thoughts: - The death of John Bonham is not a landmark in rock history.not to you maybe. but to rock fans it is. perhaps you had to be there at the time. aristide1 wrote:Deep Purple with Steve Morse produced some fabulous rock 15 years later. - Purpendicular (1996) and Abandon (1998) are the last true rock albums.sorry, no. those albums are very average and (almost) as bad as Come Taste the Band and Slaves & Masters. There is nothing Purple did after Perfect Strangers that deserves to even be listed alongside their 1970-74 output. Listen to Gillan's voice on Now What?! - there's definitely a Melodyne influence going down. |
aristide1 09.12.2019 18:25 |
I "was there" from the mid 70's, not in the audience but in front of the turntable. I've witnessed the fading of classic rock, and then the mass extinction from 1980 who affected all musical genres. I've listened Genesis with Gabriel, without Gabriel (not a really bad thing), then without Hackett, and finally without a clue. Duke was their last album for me. 1996-2000 Deep Purple is very good rock in my opinion, the classic lineup (now in their early 50s) + Morse was even stronger than before. Unlike Queen members who spend their mature years in oblivion, with no compass, nurturing personal grudges and vain ambitions. |
Holly2003 09.12.2019 19:03 |
So Guns and Roses weren't a popular rock band in the 1980s? Certainly some of the big rock bands of the 1970s either faded away or changed considerably in the 1980s but to say rock was dead back then is an exaggeration. Thin Lizzy, Judas Priest, AC/DC, Iron Maiden, Def Leppard, UFO, Gary Moore, Rush, Status Quo, Whitesnake, Scorpions, Van Halen, Aerosmith, Alice Cooper, Ozzie and many lesser rock bands were very popular both live and in record sales. This was not necessarily the blues-based rock of Led Zep and The Stones but it was still rock/heavy metal. I agree hair metal by the late 1980s really became a joke (White Lion, Poison, Motley Crue, Stryper etc) and the time was ripe for bands like Pearl Jam and Nirvana to shake things up |
brENsKi 09.12.2019 19:05 |
aristide1 wrote:I've listened Genesis with Gabriel, without Gabriel (not a really bad thing), then without Hackett, and finally without a clue. Duke was their last album for me.applauds this ^ completely. Duke was also the last Genesis album I can stand to listen to. There was some utter pap in the 80s from them - effectively Genesis albums became Phil Collins albums in all but name. aristide1 wrote:1996-2000 Deep Purple is very good rock in my opinion, the classic lineup (now in their early 50s) + Morse was even stronger than before.We'll have to agree to disagree on this one. For me Perfect Strangers was the last great album from Purps. HoTBL had it's moments but too much filler. The two albums you refer to - while infinitely better than S&M and Battle (and what wouldn't be) were still not great. And as I said - listen to Now What?! utter shambles, lazy writing, and a singer who has not looked after his voice - hence the use of autotune. Blackmore's recent outings with Rainbow were a joy watch. I saw both Birmingham gigs. He's clearly enjoying life - but then, it must be a difficult choice "tour with Gillan, or tour with Candice". Oh, and it comes to something when DP's lead singer has removed "Child" from the setlist, because he can't manage it anymore. Ronnie Romero's renditions of Soldier of Fortune, Burn and Child were outstanding. |
brENsKi 09.12.2019 19:27 |
Holly2003 wrote:So Guns and Roses weren't a popular rock band in the 1980s? Certainly some of the big rock bands of the 1970s either faded away or changed considerably in the 1980s but to say rock was dead back then is an exaggeration. Thin Lizzy, Judas Priest, AC/DC, Iron Maiden, Def Leppard, UFO, Gary Moore, Rush, Status Quo, Whitesnake, Scorpions, Van Halen, Aerosmith, Alice Cooper, Ozzie and many lesser rock bands were very popular both live and in record sales. This was not necessarily the blues-based rock of Led Zep and The Stones but it was still rock/heavy metal. I agree hair metal by the late 1980s really became a joke (White Lion, Poison, Motley Crue, Stryper etc) and the time was ripe for bands like Pearl Jam and Nirvana to shake things upwell, i think his point is (almost) a good one. The entirety of 70s classic rock (as we knew/loved it) was dead - or mired in a funk of lazy song-writing, piss-poor production and er, glossed-up pap. Strange how guitar-based bands became indulgent in fairlights, oberheims and moogs. Lizzy - were all but finished after the epic Black Rose (1979). it was all formula stuff after that with a revolving door of personnel and Scott and Phil immersed in their chemistry homework Lepps - admittedly, their first two albums were fresh and interesting, but by 83 they were a "paint by numbers" band AC/DC - last great album was Back In Black - everything since has sounded like everything else. Halen - (from someone who prefers Hagar) were great for those first two albums Quo - can't believe they were added to your list. after 1981, they went all "Dear john" and fucking "Marguerita Time". jeez Ozzy - never made a decent 80s LP after Randy's death. sorry - but what came later were copies of BoO and DoaM. Whitesnake - curious one, the less rock/more AOR they got, the bigger they became. "Crying in the Rain" and "Here I Go Again" were much better originally, but the "1987" versions were huge - go figure. Seems the plastic 80s preferred that "soft/hair/cock-rock" Scorpions - never had a worldwide hit until they wrote a ballad about the fall of communism. oh and lets not get into the "tribute" bands like Marillion etc |
Holly2003 09.12.2019 19:33 |
Unless I missed something, we're talking about if rock was dead in the 1980s, not how good the music was. Even so, I disagree with a lot of your personal preferences, but that's not the point. These rock bands/artists were popular. Rock wasn't dead in the 1980s. I do agree about the Cross though: very bland MOR rawk. |
brENsKi 09.12.2019 19:40 |
Holly2003 wrote: Unless I missed something, we're talking about if rock was dead in the 1980s, not how good the music was. Even so, I disagree with a lot of your personal preferences, but that's not the point. These rock bands/artists were popular. Rock wasn't dead in the 1980s. I do agree about the Cross though: very bland MOR rawk.i think it depends upon your own opinion of what "rock" is. For me, it was more or less dead. what wasn't plastic was AOR and what wasn't AOR was derivative. the Cross - did have some high points. one or two decent tunes among the AOR filler. I think Roger desperately wanted to be Springsteen for a year or two - who (ironically) was going through his dullest period during the 80s too. |
PrimeJiveUSA 10.12.2019 05:17 |
Fun In Space is the only one I love from beginning to end. I do quite like MOST of Strange Frontier, Shove It and Happiness. Never could get into Elecric Fire or Fun on Earth. |
The Real Wizard 10.12.2019 15:57 |
aristide1 wrote: Random thoughts: - The death of John Bonham is not a landmark in rock history.Of course there were a number of other events around the same time that contributed to the end of rock as a dominating force - namely the death of John Lennon, the launch of MTV, and the decision of FM stations worldwide to switch from experimentation to playlists, making it indistinguishable from AM radio. The album as a medium died by 1980. The Wall was the last album millions of people bought because it was a great album. Everything became about singles after that, like it was in the 1950s. It all came full circle. The album was a great experiment that lasted about 15 years. But Zeppelin were the biggest band of the 70s, having written the book on rock music for decades to come with their first two albums alone. The end of Zeppelin is the end of an era - this cannot be minimized. The other forces at play just compounded this. |
The Real Wizard 10.12.2019 16:01 |
aristide1 wrote: I've listened Genesis with Gabriel, without Gabriel (not a really bad thing), then without Hackett, and finally without a clue.ha, funny. But I'm actually OK with Abacab. Just because the songs are in 4/4 time doesn't mean it's not progressive. There's a reason why literally all of the prog bands were dead by 1981 except for Genesis - they weren't progressing. But Genesis was. But I agree - the Genesis albums after that are pretty well pop, with the odd exception like Second Home By The Sea, Domino, Driving The Last Spike, Dreaming While You Sleep, and Fading Lights. But they were smart enough to change with the times and make themselves accessible for the MTV era. If you didn't, it was game over. |
The Real Wizard 10.12.2019 16:02 |
Holly2003 wrote: So Guns and Roses weren't a popular rock band in the 1980s? Certainly some of the big rock bands of the 1970s either faded away or changed considerably in the 1980s but to say rock was dead back then is an exaggeration. Thin Lizzy, Judas Priest, AC/DC, Iron Maiden, Def Leppard, UFO, Gary Moore, Rush, Status Quo, Whitesnake, Scorpions, Van Halen, Aerosmith, Alice Cooper, Ozzie and many lesser rock bands were very popular both live and in record sales. This was not necessarily the blues-based rock of Led Zep and The Stones but it was still rock/heavy metal. I agree hair metal by the late 1980s really became a joke (White Lion, Poison, Motley Crue, Stryper etc) and the time was ripe for bands like Pearl Jam and Nirvana to shake things upOf course rock wasn't completely dead. GNR was huge, as were plenty of other bands. But GNR nor any of those other bands you mention were reinventing the wheel in the 80s. Metallica and Iron Maiden were treading new ground, but they were cult bands compared to Zeppelin and The Beatles in decades prior. In the 80s, people like Michael Jackson and Madonna dominated the scene. Rock still existed, but it wasn't changing the world - MTV was. Grunge put rock front and centre again, but within a few years boy/girl bands took over after people (and the industry) didn't want to confront the honesty and cynicism head on anymore. It went back to bubble gum. And the music industry has not sponsored a genuine "movement" since. Except perhaps socially conscious hip-hop by guys like Kendrick Lamar. |
Holly2003 10.12.2019 21:18 |
Rock started to become uncool when the aforementioned hair bands came to prominence. In 1983, ZZ Top's Eliminator was selling millions. By 1987, White Lion's 'When The Children Cry' was almost a parody of the hair metal ballad that was turning rock music into a joke. Even so, looking at my old concert tickets from back then there were still plenty of good rock bands touring and selling records. Even Kiss. But they suck. |