Stelios 23.05.2016 17:12 |
What did you think of Celine's performance of The Show Must Go On? link I thought she was decent but nothing spectacular whatsoever . |
k-m 23.05.2016 17:23 |
Far from "stunning", as it was called on Queen's Facebook page. Like many others before her, Celine failed. Her voice is starting to fade too. She was unable to reach those incredible heights at least a couple of times. Time to call it a day, really. |
scottmax 23.05.2016 18:38 |
The arrangement is awful, but the vocals are decent |
matt z 23.05.2016 21:39 |
Watched it on silent at a bar while watching Oklahoma whup the desperate cheating Warriors (NBA) in game 3 . If I had known she was singing it I'd have paid attention. Please keep in mind that she's routinely made it part of her repertoire. That in itself is a right tribute. I'm not a fan but I wrote her choices. |
The Real Wizard 24.05.2016 00:52 |
It's a million times better than her studio version. Her voice is awful on that. But points for the live version - I'd say she nailed it. |
Sebastian 24.05.2016 07:45 |
I like the orchestration. I don't always agree with Dr Wig when he praises a female singer (he seems to have a soft spot for them and celebrate anyone who's half-decent as if she were the reincarnation of Whitney Houston), but in this case I concur: she's a phenomenon. |
Chief Mouse 24.05.2016 10:48 |
Her studio take was so bland. This, on the other hand, is pretty great! Well done :-) |
pittrek 24.05.2016 11:32 |
Wow, that was bad. Her singing was pretty good, but the "band" was horrible. You guys honestly like it or just ironically "like" it? |
Chief Mouse 24.05.2016 13:14 |
Mostly paid attention to her singing, not a huge fan of the arrangement apart from the violin solo. |
Sheldon 24.05.2016 14:14 |
How the hell was this a bad performance?!? If you compare it to any cover version of TSMGO ever performed and not to the original which is absolutely mind-blowing, besides Elton John, who can come even close to Celine's level, especially live? |
Mr.QueenFan 24.05.2016 15:44 |
First of all, we have to understand that Celine is coming out of a very rough time with the lost of her husband and brother in the same week after years of having to deal with the possible lost of them through disease. Her voice isn't at her best - yet! - but she completey nailed the last notes brilliantly. Those last notes tell me that with more time she will get back to normal. Now that arrangement completely ruined the song for me. It was too much too soon! The beginning of the song should remain simple to let it breath, and then build up until climax, but in this case i didn't like it. Celine's vocals were the best thing in it, but the arrangement didn't worked. |
Costa86 24.05.2016 18:05 |
I agree, after Elton John's '92 (and also '97) renditions, this was the best live one I've heard, vocally speaking. It's useless to compare it to Freddie's studio version, which is probably one of the best rock/pop performances ever recorded. But we don't know how Freddie would have sung it live. We can only compare live versions to live versions. |
The Real Wizard 24.05.2016 23:03 |
Costa86 wrote: I agree, after Elton John's '92 (and also '97) renditions, this was the best live one I've heard, vocally speaking.link Sarah Slean. Hands down, my favourite Canadian singer, and one of the best singers I've ever heard. Also a string arrangement, but in a completely different direction. And vocally she nails it. |
master marathon runner 25.05.2016 02:45 |
Over ambitious orchestration, but Celine nailed it. Well done gal. |
Mr.QueenFan 25.05.2016 06:36 |
The Real Wizard wrote:Man, i know it must be hard for you to read this, but the arrangement is even worse than the Celine's one :-)Costa86 wrote: I agree, after Elton John's '92 (and also '97) renditions, this was the best live one I've heard, vocally speaking.link Sarah Slean. Hands down, my favourite Canadian singer, and one of the best singers I've ever heard. Also a string arrangement, but in a completely different direction. And vocally she nails it. . Sorry to say that! She has a great voice indeed, but clearly she is singing a melody that does NOT belong in that arrangement. I'm thinking about the "Barcelona" album right now, and what a musical genius Freddie Mercury really was! |
ITSM 30.05.2016 07:13 |
The live version was pretty good (and a strong choice for her). |
The Real Wizard 30.05.2016 13:18 |
Mr.QueenFan wrote: Man, i know it must be hard for you to read this, but the arrangement is even worse than the Celine's one :-) Sorry to say that! She has a great voice indeed, but clearly she is singing a melody that does NOT belong in that arrangement.Yeah, I hear ya. I don't have blinkers on ;) But I love her as a singer. She's Canada's answer to Kate Bush. |
Silken 30.05.2016 16:23 |
I have just listened to it and I swear I'll never do it again. WTF ARE THOSE ARRANGEMENTS??? |
Sebastian 31.05.2016 06:50 |
Now I want to hear it ... just out of morbid curiosity. Watch this space. Edit: I actually liked the arrangement. I applaud the fact they dared removing the best-known aspects from the original recording (the ostinato synth and so on) and coming up with something creative and quite interesting, instrumentally speaking. It'd sound fantastic as part of a film soundtrack (depending on the kind of film, of course). As for her voice ... well, I didn't like it too much; she's fine, but not breathtaking IMO. Too nasal, perhaps. |
Silken 31.05.2016 08:46 |
. |
Silken 31.05.2016 08:50 |
Sebastian wrote: I actually liked the arrangement. I applaud the fact they dared removing the best-known aspects from the original recording (the ostinato synth and so on) and coming up with something creative and quite interesting, instrumentally speaking.They stole the arrangements from Beethoven and from someone else I can't remember but I think it's Verdi. |
Sebastian 31.05.2016 09:02 |
I was talking about the other girl's version, not Celine's. Now, as for Celine's version ... I also like the arrangement - it's nice to do mash-ups. Some people hate them, and they're more than entitled to do so, but I like them. link |
brENsKi 31.05.2016 13:24 |
k-m wrote: Far from "stunning", as it was called on Queen's Facebook page. Like many others before her, Celine failed. Her voice is starting to fade too. She was unable to reach those incredible heights at least a couple of times. Time to call it a day, really.FFS!!! one question: how great was Freddie's live version? - there isn't one. so stop comparing a live version to an immaculate studio version that's actually a good live rendition. |
Oscar J 31.05.2016 17:47 |
She hit every note on pitch and with confidence, what are you talking about? |
Another Roger (re) 01.06.2016 05:29 |
Marc Martel has the best performances of the song to me. The Dion performance is fine though. |
k-m 02.06.2016 04:48 |
brENsKi wrote:I will compare it to whatever I like. Are you suggesting then that if Freddie sang it live he wouldn't have done it better than Dion? You also mentioned an "immaculate studio version". Yes, even though Freddie was dying of Aids when recording it... Following your logic, would it be fair to compare Freddie's studio version with Dion's studio version? Because the circumstances of recording weren't exactly the same, were they?k-m wrote: Far from "stunning", as it was called on Queen's Facebook page. Like many others before her, Celine failed. Her voice is starting to fade too. She was unable to reach those incredible heights at least a couple of times. Time to call it a day, really.FFS!!! one question: how great was Freddie's live version? - there isn't one. so stop comparing a live version to an immaculate studio version that's actually a good live rendition. |
brENsKi 02.06.2016 16:37 |
k-m wrote:the criticism was for the live performance - YOU have no Freddie benchmark.brENsKi wrote:I will compare it to whatever I like. Are you suggesting then that if Freddie sang it live he wouldn't have done it better than Dion? You also mentioned an "immaculate studio version". Yes, even though Freddie was dying of Aids when recording it... Following your logic, would it be fair to compare Freddie's studio version with Dion's studio version? Because the circumstances of recording weren't exactly the same, were they?k-m wrote: Far from "stunning", as it was called on Queen's Facebook page. Like many others before her, Celine failed. Her voice is starting to fade too. She was unable to reach those incredible heights at least a couple of times. Time to call it a day, really.FFS!!! one question: how great was Freddie's live version? - there isn't one. so stop comparing a live version to an immaculate studio version that's actually a good live rendition. compare almost ALL of his live versions of I want To Break Free to his studio version - then you have your answer. by the mid-late 80s his live range was shot to pieces (smoking didnt help) - do you know what "comparison" is actually about? comparing actual like for like is the only way this should be done |
k-m 03.06.2016 11:54 |
Mid-late 80s? Depending when exactly and which concert or song you are referring to. You somehow decided to choose IWTBF, which wasn't exactly the highlight of his live performances and everybody knows that. Anyway, planning to leave it here mate. Enjoy your weekend. |
Gregsynth 03.06.2016 13:42 |
k-m wrote: Mid-late 80s? Depending when exactly and which concert or song you are referring to. You somehow decided to choose IWTBF, which wasn't exactly the highlight of his live performances and everybody knows that. Anyway, planning to leave it here mate. Enjoy your weekend.True - IWTBF was definitely not Freddie's highlight in the live shows. For every good live version vocally - you'll find a handful that sound rough at best or terrible at worst. Brenski pretty much got the gist of it. If you compare Freddie's live vox from 1984-1986 (as a whole) to late 1979 through mid 1982 (as a whole), you'll hear the differences. Freddie was less consistent in the mid 80s for a variety of reasons. Freddie's live stamina was cut due to his smoking (affects the breath support and makes it harder to sing) and his voice would suffer faster in the live environment. The Works Tour had many dates crammed and if you combine that with the effects of smoking, you'll hear the results. On The Magic Tour, while not at a career best overall, his live vox did improve a bit when compared with the Works Tour. Live Aid was extremely impressive as well (short set and went all-out). On his best nights from 1984-1986, his range was very good and rivals performances from the 70s and early 80s - but it's not as consistent as previous tours. |
brENsKi 05.06.2016 04:13 |
k-m wrote:Mid-late 80s? Depending when exactly and which concert or song you are referring to. You somehow decided to choose IWTBF, which wasn't exactly the highlight of his live performances and everybody knows that.my point wasn't about "one song" - i used IWTBF as it's the easiest example to quote - no fan, anywhere, would be hard-pressed to find poor live vocals of this song - there were more bad than good! the actual point being (as i've stated in another thread) - that from 79-82 there is a deterioration in Freddie's vocals, but this is only slight compared to the deterioration between 82-84. By 86 this has improved "slightly" - but was still far from his own standards. This has to be put down to his lifestyle and smoking - he didn't look after himself and it reflected live; where you only get "one take" Gregsynth:Brenski pretty much got the gist of it. If you compare Freddie's live vox from 1984-1986 (as a whole) to late 1979 through mid 1982 (as a whole), you'll hear the differences. Freddie was less consistent in the mid 80s for a variety of reasons. Freddie's live stamina was cut due to his smoking (affects the breath support and makes it harder to sing) and his voice would suffer faster in the live environment. The Works Tour had many dates crammed and if you combine that with the effects of smoking, you'll hear the results. thanks for confirmation. I would however, disagree with the comment about the number of dates on the works tour - previous tours, Live Killers, crazy Tour etc - had as many dates Jazz 35, LK/Crazy 66, HS 30, Works(1984) 32 Many people will argue that "oh but he reached this note or that note" - the problem with live vocals is it isn't just about the "notes" - and he did struggle later on - it's about tone, control and power. ALL of these were an issue for Freddie certainly between 84-86 |
Gregsynth 05.06.2016 14:06 |
brENsKi wrote:k-m wrote:Mid-late 80s? Depending when exactly and which concert or song you are referring to. You somehow decided to choose IWTBF, which wasn't exactly the highlight of his live performances and everybody knows that.my point wasn't about "one song" - i used IWTBF as it's the easiest example to quote - no fan, anywhere, would be hard-pressed to find poor live vocals of this song - there were more bad than good! the actual point being (as i've stated in another thread) - that from 79-82 there is a deterioration in Freddie's vocals, but this is only slight compared to the deterioration between 82-84. By 86 this has improved "slightly" - but was still far from his own standards. This has to be put down to his lifestyle and smoking - he didn't look after himself and it reflected live; where you only get "one take"Gregsynth:Brenski pretty much got the gist of it. If you compare Freddie's live vox from 1984-1986 (as a whole) to late 1979 through mid 1982 (as a whole), you'll hear the differences. Freddie was less consistent in the mid 80s for a variety of reasons. Freddie's live stamina was cut due to his smoking (affects the breath support and makes it harder to sing) and his voice would suffer faster in the live environment. The Works Tour had many dates crammed and if you combine that with the effects of smoking, you'll hear the results.thanks for confirmation. I would however, disagree with the comment about the number of dates on the works tour - previous tours, Live Killers, crazy Tour etc - had as many dates Jazz 35, LK/Crazy 66, HS 30, Works(1984) 32 Many people will argue that "oh but he reached this note or that note" - the problem with live vocals is it isn't just about the "notes" - and he did struggle later on - it's about tone, control and power. ALL of these were an issue for Freddie certainly between 84-86 |
Gregsynth 05.06.2016 14:07 |
* Deleted post attempt * |
Gregsynth 05.06.2016 14:08 |
* Deleted post attempt * God - this site needs to be fixed! Sorry! |
Gregsynth 05.06.2016 14:08 |
The Crazy Tour had 20 shows, the 1979 European Jazz/Live Killers Tour had 28 shows, and the 1984 Euro Works Tour had 23 shows. All three of those tours had either 3 gigs in row or 2 gigs played then 1 day off then 2 gigs 1 off, etc. Freddie sounds really good on the Crazy Tour because he found safer singing techniques (likely self-taught) and had more confidence in himself. Plus - the Crazy was less strenuous on Freddie as a whole (same time zone, same city, etc). He also wasn't smoking or partying as much (I don't think) so his voice held up really well. With the Works Tour - he had to deal with the same schedule (3 gigs in a row or a day off after 2 consecutive shows), but by that time - he was smoking for years, was a party animal, and probably didn't get into touring shape before the tour started (plus was older - so everything wouldn't recover as well or as fast). After only a few shows on the Works Tour, his voice started slipping. If Freddie didn't have to do as many shows, he probably would've fared better on that tour - but you'd still hear the effects of smoking/partying. No doubt he had issues with control, power, etc throughout the mid 80s live shows. If Freddie didn't at least smoke - his live stamina would be much better and he wouldn't have consistency problems. |
Nitroboy 05.06.2016 16:36 |
Gregsynth wrote: With the Works Tour - he had to deal with the same schedule (3 gigs in a row or a day off after 2 consecutive shows), but by that time - he was smoking for years, was a party animal, and probably didn't get into touring shape before the tour started (plus was older - so everything wouldn't recover as well or as fast). After only a few shows on the Works Tour, his voice started slipping. If Freddie didn't have to do as many shows, he probably would've fared better on that tour - but you'd still hear the effects of smoking/partying. No doubt he had issues with control, power, etc throughout the mid 80s live shows. If Freddie didn't at least smoke - his live stamina would be much better and he wouldn't have consistency problems.Great point! I think Freddie even realized this problem himself. As the stated for one of the Magic Tour interviews that touring is more difficult, because he can't just say "yes let's go on tomorrow". He knew he had to work out and be well prepared for a tour. And that definitely shows on the Magic Tour. |
Invisible Woman 24.06.2017 11:29 |
I do not like much of her performance. |