Sam99 09.10.2012 10:15 |
Hi all, I have been an avid Queen fan for far too long one of my fav songs is Save Me. I want a good live version to put onto my iTunes to play in the car. I have many live versions, I would be most interested in informed opinion on which is the best live version, both in performance and sound quality? As an older fan I recall Brian mentioning this song 1st around December 1979 when interviewed by Tommy Vance on the Friday Rock Show, in that interview he mentioned Freddie had some input. Would love to hear that interview again if it lurks somewhere. |
The Real Wizard 09.10.2012 10:24 |
Can't go wrong with the Montreal 81 version. Mercury's vocal is exquisite. |
Wiley 09.10.2012 12:02 |
The live at the bowl version is also very good. I remember the first time I heard it (having heard only Montreal before) and being shocked to hear Brian's guitar in the first chorus. Pleasant surprise as in other versions he plays piano for the first part of the song. |
Holly2003 09.10.2012 15:09 |
Hammersmith 79 was good right up to the end when Brian has some sort of brain problem and crashes and burns on the solo. |
Sam99 09.10.2012 15:46 |
Thanks for reply guys, much appreciated. Always thought Montreal version sounded good, is it overdubbed? |
Q NUT 09.10.2012 15:51 |
I vote Montreal 81 also but it's very hard to choose since there are so many great live versions. |
Gregsynth 09.10.2012 17:34 |
link This is the definitive version. This version is about as close to the studio version as we're going to get (unless new recordings surface). Freddie aces the vocals (including hitting the B4 on "Ohhhhh Save Me"), and he nails the song's soft tone. The only real fault with this version is that John Deacon flubs one bass note! Montreal's is good, but Freddie doesn't use the vocal dynamics as well (he doesn't sing soft as much), and he nearly forgets the lyrics (though he does recover by speaking through them)! |
Mr. Bulsara 09.10.2012 18:57 |
I like very much the tokyo '82 version. it's very good ;) |
The Real Wizard 09.10.2012 20:38 |
Sam99 wrote: Thanks for reply guys, much appreciated. Always thought Montreal version sounded good, is it overdubbed?Can't confirm 100%, but it doesn't seem so. |
jeanpaulv 09.10.2012 23:11 |
To me the best SAVE ME version EVERRRRRRR! Save Me (Queen-Live In Puebla: 10/17/1981) link G O D S A V E Q U E E N G O D S A V E M E R C U R Y |
Holly2003 10.10.2012 01:35 |
Gregsynth wrote: link This is the definitive version. This version is about as close to the studio version as we're going to get (unless new recordings surface). Freddie aces the vocals (including hitting the B4 on "Ohhhhh Save Me"), and he nails the song's soft tone. The only real fault with this version is that John Deacon flubs one bass note! Montreal's is good, but Freddie doesn't use the vocal dynamics as well (he doesn't sing soft as much), and he nearly forgets the lyrics (though he does recover by speaking through them)!Being close to the studio version isn't necessarily how I define a good live version of a song. Queen did some interesting variations on stage of songs like Dreamers Ball and 39, for example. |
Gregsynth 10.10.2012 02:13 |
Holly2003 wrote:It all depends on the song: If you take something like "A Kind Of Magic," and compare the studio version to the live versions--the ones from the early part of the Magic Tour will trump the later versions (because Freddie hits the key notes on the song--and sounds clean singing the song).Gregsynth wrote: link This is the definitive version. This version is about as close to the studio version as we're going to get (unless new recordings surface). Freddie aces the vocals (including hitting the B4 on "Ohhhhh Save Me"), and he nails the song's soft tone. The only real fault with this version is that John Deacon flubs one bass note! Montreal's is good, but Freddie doesn't use the vocal dynamics as well (he doesn't sing soft as much), and he nearly forgets the lyrics (though he does recover by speaking through them)!Being close to the studio version isn't necessarily how I define a good live version of a song. Queen did some interesting variations on stage of songs like Dreamers Ball and 39, for example. Then you'll get songs like "Now I'm Here" where the studio version PALES to the live versions from the Crazy Tour-onwards (the song sounds much more energetic, and Freddie sings the song with that awesome developed voice). The versions from the early tours (Sheer Heart Attack, Opera, etc) do sound close to the record version--but it comes off as boring live (since the song was too slow, and Freddie sang it very "bland"). There's certain songs that require either Freddie to sing it a certain way, or the band to play the song in a certain way, in order for it to come across well live: "In The Lap Of The Gods... Revisited" didn't work live from 1975-1977 (because Freddie didn't hit the falsetto, sang it blandly, and the band harmonies weren't always clean), but the song sounded so much better on the Magic Tour (because Freddie sang the song properly and the harmonies were tighter). On the other hand, you'll have songs like "Love Of My Life," "Is This The World We Created," "Somebody To Love," and "Bohemian Rhapsody" where in most cases--the song worked live (no matter how Freddie sang it, how the band played it, etc). |
Sam99 10.10.2012 05:03 |
Wow, this is really interesting. I might ask the same about CLTCL next. I have the Newcastle 3/12/79 show somewhere, but not in this sound quality. I'm blown away by this. Could some kind soul possibly share this version of Save Me from Newcastle 3/12/79, I would beg, borrow or steal this it's great! |
The Real Wizard 10.10.2012 09:55 |
As far as I know, this should be the same version that's on youtube: link |
jeanpaulv 10.10.2012 10:23 |
Save Me (Queen-Live In Puebla: 10/17/1981) PLEASE .... LISTEN OOOOOOOOOOOOH ON 2:19 MINUTE link |
Sam99 10.10.2012 10:41 |
Bob, You really are a gentleman and a scholar (NI Complement hope it interprets) Thank you, now I always thought definitive versions of "Crazy" was Hammy, what do you think? |
tomchristie22 11.10.2012 07:35 |
Gregsynth wrote: Then you'll get songs like "Now I'm Here" where the studio version PALES to the live versions from the Crazy Tour-onwards (the song sounds much more energetic, and Freddie sings the song with that awesome developed voice). The versions from the early tours (Sheer Heart Attack, Opera, etc) do sound close to the record version--but it comes off as boring live (since the song was too slow, and Freddie sang it very "bland").I have to disagree here - I think the earlier live versions of Now I'm Here were more melodious, and paid more attention to the vocal harmonies, which were largely omitted completely for later versions. The versions from roughly 79-86 seem fast paced to the point where they sound rushed to me, and the melodic intricacies of the song are lost in favour of mindless chugging a la Sheer Heart Attack, which, for me, makes the later version more bland, and the early version more layered and colourful. Of course that's just me, and that isn't to say I don't like both renditions of the song, I just prefer one to the other. Gregsynth wrote: "In The Lap Of The Gods... Revisited" didn't work live from 1975-1977 (because Freddie didn't hit the falsetto, sang it blandly, and the band harmonies weren't always clean), but the song sounded so much better on the Magic Tour (because Freddie sang the song properly and the harmonies were tighter). .In that sense the Magic Tour version was a great improvement of the 75-77 versions, but it was ruined for me by the fact that Freddie didn't play the piano part and they went straight to the 'whoah whoah lalala' coda after the first verse, which omits a whole first chorus and second verse (the second verse being my favourite part of the song). Sorry to spend an entire post in disagreement. |
master marathon runner 11.10.2012 10:21 |
While we're on the subject, here's my photo of Brian, at Newcastle City Hall on 4th December '79, playing piano after introducing 'Save Me' as the next single. Great memories! Bonus feature: One of Wor Freddie as well. |
master marathon runner 11.10.2012 10:22 |
Bonus feature: One of Wor Fred as well. |
The Real Wizard 11.10.2012 11:06 |
Excellent stuff .. thanks. Did you find those pictures from Edinburgh 82? Would love to see them. |
Gregsynth 11.10.2012 12:10 |
tomchristie22 wrote:The song just sounds better faster with that driving rock edge to it (it was built to play live). If you look at the early versions, the harmonies weren't always bang on, and it was just too slow (sometimes slower than the record) to start off the show. The song works better as a quicker number in the mid point of the show (to get the audience fired up). Plus on the 1978-1982 versions, you have Freddie doing that improv section to the audience -- and it sounds wonderful. The early versions come off as weaker imitations of the studio version -- while the later versions sound like a fun, energetic, creative rock song!Gregsynth wrote: Then you'll get songs like "Now I'm Here" where the studio version PALES to the live versions from the Crazy Tour-onwards (the song sounds much more energetic, and Freddie sings the song with that awesome developed voice). The versions from the early tours (Sheer Heart Attack, Opera, etc) do sound close to the record version--but it comes off as boring live (since the song was too slow, and Freddie sang it very "bland").I have to disagree here - I think the earlier live versions of Now I'm Here were more melodious, and paid more attention to the vocal harmonies, which were largely omitted completely for later versions. The versions from roughly 79-86 seem fast paced to the point where they sound rushed to me, and the melodic intricacies of the song are lost in favour of mindless chugging a la Sheer Heart Attack, which, for me, makes the later version more bland, and the early version more layered and colourful. Of course that's just me, and that isn't to say I don't like both renditions of the song, I just prefer one to the other.Gregsynth wrote: "In The Lap Of The Gods... Revisited" didn't work live from 1975-1977 (because Freddie didn't hit the falsetto, sang it blandly, and the band harmonies weren't always clean), but the song sounded so much better on the Magic Tour (because Freddie sang the song properly and the harmonies were tighter). .In that sense the Magic Tour version was a great improvement of the 75-77 versions, but it was ruined for me by the fact that Freddie didn't play the piano part and they went straight to the 'whoah whoah lalala' coda after the first verse, which omits a whole first chorus and second verse (the second verse being my favourite part of the song). Sorry to spend an entire post in disagreement. I didn't think the arrangement on the Magic Tour for In The Lap Of The Gods...Revisited ruined the song, but I do wish the full song was played on that tour! Freddie did play piano on that song during the Magic Tour (the final two chorus parts)! |
Sam99 11.10.2012 15:18 |
As far as I know, this should be the same version that's on youtube: link Sorry to be a pain, but the link doesn't work for some reason, can anyone advise me how to work this? |
tomchristie22 12.10.2012 03:19 |
Ah, I completely forgot he joins in on the piano later into the song. I should really have known that since I saw Budapest recently.. My mistake!
That's all just my opinion anyway, and yours is probably much more qualified, with you being more knowledgeable with this than I am. I also forgot about the vocal improv being part of Now I'm Here, can't go wrong with that.
Sam99 wrote: As far as I know, this should be the same version that's on youtube: link Sorry to be a pain, but the link doesn't work for some reason, can anyone advise me how to work this?Yeah, it's giving me server errors too when I try to follow links on here. Copying it into the address bar should work fine though. |
Mr.QueenFan 12.10.2012 08:58 |
master marathon runner wrote: While we're on the subject, here's my photo of Brian, at Newcastle City Hall on 4th December '79, playing piano after introducing 'Save Me' as the next single. Great memories! Bonus feature: One of Wor Freddie as well.Great pictures, thanks for sharing it with us. You're a lucky man to have witnessed what is considered to be one of Queen's greatest shows ever! Freddie's voice was perfect. Can ou share the video too? :-) |
Q NUT 12.10.2012 09:05 |
Mr.QueenFan wrote: Can ou share the video too? :-)Does he really have video of Newcastle 79? |
Gregsynth 12.10.2012 11:51 |
tomchristie22 wrote: Ah, I completely forgot he joins in on the piano later into the song. I should really have known that since I saw Budapest recently.. My mistake! That's all just my opinion anyway, and yours is probably much more qualified, with you being more knowledgeable with this than I am. I also forgot about the vocal improv being part of Now I'm Here, can't go wrong with that.Wait, wait, wait! I'm not more qualified to make opinions! We're both fans of Queen! We have different takes on live songs, and I LOVE that (because it makes debates/discussions happen). Just because I listen to the live stuff 24 hours a day, doesn't mean I'm more qualified to make opinions! It just means I love listening to the live concerts!Sam99 wrote: As far as I know, this should be the same version that's on youtube: link Sorry to be a pain, but the link doesn't work for some reason, can anyone advise me how to work this?Yeah, it's giving me server errors too when I try to follow links on here. Copying it into the address bar should work fine though. |
cmsdrums 12.10.2012 12:05 |
Montreal is great, helped a lot by the great sound on that release. The Bowl is great too, especially when Freddie climbs vocally on the final vocal 'oh, oh' line before 'I'm naked and I'm far from home'. |
tomchristie22 12.10.2012 20:09 |
What are peoples opinions on the different live 'versions' of Save Me? That is, do you prefer the Crazy & Game Tour arrangement or the Hot Space Tour one? I enjoy both greatly but I find I like the earlier version better. I just personally prefer the more straightforward approach of the former. While the latter seems more 'full' and layered, and better emulates the subtlety of the studio version, I'm not sure if I like the way it translates to the live setting. If you need reference points: Montreal '81 - Brian plays piano for the first portion of the song then switches to electric guitar. Brian electric guitar and Freddie piano in the first instrumental break. link Milton Keynes '82 - Morgan Fisher plays piano throughout, Brian plays electric guitar throughout. First instrumental break has the synth and clean guitar part, which is much closer to the studio version. link |
tomchristie22 12.10.2012 20:22 |
McDouble post |
Mr.QueenFan 12.10.2012 20:52 |
Q NUT wrote:I don't think he has, i was just kidding.Mr.QueenFan wrote: Can ou share the video too? :-)Does he really have video of Newcastle 79? But the quality of those pics? Just perfect for me, it's almost as it has sound atached to it. Beautifull! |
bootLuca 13.10.2012 00:57 |
tomchristie22 wrote: Montreal '81 - Brian plays piano for the first portion of the song then switches to electric guitar. Brian electric guitar and Freddie piano in the first instrumental break.link Milton Keynes '82 - Morgan Fisher plays piano throughout, Brian plays electric guitar throughout. First instrumental break has the synth and clean guitar part, which is much closer to the studio version.linkMontreal 81: Brian plays piano duribg the first verse, the first chorus and the 2nd verse, then switches to guitar for the 2nd chorus Milton Keynes 82 Brian plays piano during the first verse then switches to guitar for the first chorus, Morgan Fisher plays keyboards during the second verse with a very different style compared to Brian I like much more the 79/80/81 version because brian plays a beautiful guitar solo after the second chorus! |
bootLuca 13.10.2012 01:02 |
tomchristie22 wrote: Montreal '81 - Brian plays piano for the first portion of the song then switches to electric guitar. Brian electric guitar and Freddie piano in the first instrumental break.link Milton Keynes '82 - Morgan Fisher plays piano throughout, Brian plays electric guitar throughout. First instrumental break has the synth and clean guitar part, which is much closer to the studio version.linkMontreal 81: Brian plays piano during the first verse, the first chorus and the 2nd verse, then switches to guitar for the 2nd chorus Milton Keynes 82 Brian plays piano during the first verse then switches to guitar for the first chorus, Morgan Fisher plays keyboards during the second verse with a very different style compared to Brian I like much more the 79/80/81 version because brian plays a beautiful guitar solo after the second chorus! |