General info, amplification
  The band
  Electric strings
  Acoustic strings
  Percussion
  Piano
  Keyboards

Queen
  Smile
  Early shows I
  Early shows II
  Sheer Heart Attack
  A Night At The Opera
  Summer 1976
  A Day At The Races
  News Of The World
  Jazz
  Crazy tour
  The Game + Flash
  We Will Rock You
  Hot Space
  Montreux 1984
  The Works 1984
  The Works 1985
  Live Aid
  Montreux 1986
  Magic tour
  Freddie Mercury Tribute
  Queen + PR tour 2005
  Queen + PR tour 2006

Brian May
  Back To The Light
  Another World

Queen + Paul Rodgers tour (2006)

Percussion

Same drumkit as for the 2005 tour except that Roger doesnt' play congas anymore and a new 18" crash is now part of the drumkit. The kit is mainly a Ludwig, except the bass drum, which is a Sleishman. Here we go: bass drum: 24"x20" Sleishman toms: 10"x9", 14"x13" Ludwig Classic Maple floor toms: 16"x16", 18"x16" Ludwig Classic Maple snare: maple 14x6.5 or maple 14x8 (depending on the venue) roto-toms: 12", 14", 16" (or 12", 13" and 14"?) wind chimes: LP Double Row Studio (above the 18" floor tom) cowbell: also Ludwig, size 6,7/8 Cymbals are all by Zildjian: hi-hat: Avedis New Beat 15" crash: K Dark Medium Thin brilliant 17" (on his left), K Dark Crash Medium Thin traditional 18" (on his left), K Dark Crash Medium Thin traditional 19" (on his right), K Crash/Ride traditional 20" (on his right) ride: Avedis Ping Ride traditional 22" china: Oriental Trash brilliant 20" (on his right) Hardware by Ludwig (new ones, you can see they got a red label). The double-bass pedal he's using is a DW 9000, apparently the best pedal in the world :-) Drumheads were Emperor Coated (toms), Ambassador Clear (floor toms) and Powerstroke 3 (snare and bassdrum). Roger used Vic Firth 5B Wood tip drumsticks (similar ones were also on sale as official merchandise). The bass drum logo is a "Queen" writing (Works font). Roger also used a tambourine (probably Ludwig) for TATDOOL. Paul also had a tambourine but I'm not sure about the brand.

Bass guitar

Danny Miranda had a Fender Precision bass guitar, like John used to use.

Electric guitars

Brian's main guitar was the original Red Special (first photo). He also probably had two Greg Fryer's replicas but I have found only one photo with one of them (second photo). In exceptional cases Brian could also use an Andrew Guyton's replica (third photo). Jamie's main guitar still is the Fender Stratocaster (fourth photo). For some songs he had a Gibson Les Paul (fifth photo), a Sunburst Burns Red Special replica (sixth photo) in Hammer To Fall or AOBTD and I have also found a photo of him playing a Flames custom made electric.

Acoustic guitars

Brian still had the custom 12-string Guild acoustic guitar for Love Of My Life and '39 (first photo). For Crazy Little Thing Called Love Paul had a steel string Yamaha Silent guitar (second photo) and Brian had a nylon string Yamaha Silent guitar (third photo). (The Yamaha guitars are actually technically electric, not acoustic). Jamie had an acoustic Gibson J-45 for CLTCL and I Want It All and a 12-string Guild for Reachin' Out and Feel Like Makin' Love (fourth photo). Both Jamie and Danny then probably had another 12-string Guild for Say It's Not True which was played only in Miami.

Keyboards

Paul played a beautiful Yamaha piano (probably C7) in Bad Company. Spike's equipment probably stayed the same: 2 x Korg Triton Extreme LE 1 x Korg CX-3 Organ (also used in conjunction with the MIDI from the Kontrol 49 to control samples) 1 x Korg Kontrol 49 (to trigger samples such as WWRY) 1 x Korg microKORG