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Instruments: The Works Tour [24.08.1984 - 13.07.1985]

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Information > Instruments on tour > The Works 1984
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660 days without playing a single concert, and then back with a new tour with several changes, the most important being Spike Edney on synths, piano and guitar. Live Aid is included here as they used Works-era equipment. Roger made a deal with Zildjian and stopped using Paiste products (including the gong), and he also had a new kit, in chrome finish.

Brian had a new replica of his guitar, made by the American company Guild (Brian was living in Los Angeles back then), which looked very similar (though not identical) and the sound was almost identical, only a bit darker. Roger, an avid guitar collector, found a classical electric guitar (which looks like an acoustic but is actually electric), that Brian would use later on for some legendary recordings including Innuendo (1989, Steve Howe played that same guitar as well).

Percussion

Drum kit
Ludwig 26" x 16" bass-drum.
Ludwig Speed-King pedal.
Ludwig Hercules hardware.
Ludwig 14" x 6.5" snare drum.
Ludwig 12" x 11", 13" x 12" and 14" x 13" rack toms.
Ludwig 16" x 16" and 18" x 16" floor toms.
Simmons SDS-VII e-drum pads.
Wuhan 20" china cymbal.
Zildjian 15" hi-hats.
Zildjian 17" and 2 x 18" crash cymbals.
Zildjian 20" ride cymbal.
Zildjian 22" china cymbal.

Bass-drum logo: Queen on The Works font, black background (white at Live Aid).

Tambourines
New Era.

Roger's mics
snare: AKG c451e (without "a51")
hi-hat: AKG c451e with "a51"
bassdrum: Beyerdynamic M300N
toms: Sennheiser MD421-II
overhead: AKG c451e with "a51"
snare-bottom: Shure SM57 LC
vocals: AKG C452E (probably)

Roger's Ludwig kit Roger's Ludwig kit Roger's Ludwig kit

Bass guitars
John's Fender Precision '68 John's Fender Precision '68 Fender Precision Special Musicman Stingray John's Fender Precision Elite

Electric bass guitars
Fender Precision 1968 [main]
Fender Precision 1981 [Under Pressure]
Music Man Stingray [Anothe One Bites the Dust]
Fender Precision Elite [spare]


Guitars
Brian's Red Special Brian's Telecaster Freddie's Telecaster Gibson acoustic Spike's Gordon Smith or in fact Gibson Les Paul Junior? Brian's Gibson Flying V
Brian's Ovation

Main electric six-string guitars
BHM bespoke [Brian]
Fender Telecaster 1978 [Crazy Little Thing]
Fender Telecaster 1981 [Staying Power]*
Fender Telecaster 1983 [Crazy Little Thing]**
Fender Telecaster [Jailhouse Rock]***
Gibson Chet Atkins CE [Is This the World We Created]
Gibson Les Paul Junior [Hammer to Fall]****

* Played by John Deacon. A Black-Gold model, CE 10484.
** Played by Freddie Mercury. A Standard 1983 Blonde model.
*** Played by Rick Parfitt on one concert.
**** Played by Spike Edney.

Spare electric guitars
Guild BHM bespoke
Gibson Flying V

Acoustic guitars [Love of My Life, Crazy Little Thing]
2 x Ovation Pacemaker 1615 twelve-string


Keyboards
Steinway piano Oberheim OBX-a Oberheim OB-8

Piano
Steinway 1972 D concert grand 8 ft 11.75 in

Synthesisers
2 x Oberheim OB-Xa.
Oberheim OB-8.*
Roland Jupiter 8.
Roland VP-330 [Ga Ga, Machines].

* Used only for the mimed performance in Montreux.

Electric grand piano
Yamaha CP-80

Steinway piano Yamaha Electric Grand Piano


What about the recording sessions?

The Works is perhaps the Queen album where the instruments used for the recordings differ the most from what was used on stage. On the record, they used Linn LM-2 drum machines for some songs (in fact, Roger doesn't play at all on the studio version of Break Free), Yamaha C-7 pianos (both Musicland and the Record Plant had them as part of their back-line equipment), John played the Fender Special 1981 bass on Break Free and also played three different guitars on it (Gibson Chet Atkins, Fender Telecaster and Fender Stratocaster) and the vocoder on Ga Ga was an EMS-2000.

Brian recorded Is This the World We Created with his twelve-string Ovation, not with the Gibson Chet Atkins he'd use on stage. He also used a Gibson Firebird guitar (owned by Ben Fenner) on Hammer to Fall and Tear It Up (and possibly I Go Crazy as well). That shows how Brian, even with a different guitar, still sounds like himself; on the contrary, if we gave another guitar player (even a professional one, unless they're a Brian imitator, and even then...) the Red Special and Brian's rig, he/she wouldn't sound like Brian - regardless of how important the equipment is, the main ingredient is and will always be the performer.

Synths used for this album's recordings were Oberheim OBX-a and Roland Jupiter 8.

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